Skip to content

©

Live event production in New Mexico, plus the content, social and paid programme that runs before and after it.

what we run /04

Scroll to explore

Rigging crew on a lift attaching a moving head to overhead truss

Production

Event production

©on site / in the feed

Corporate and brand events, launches, openings, activations and conferences. Concept through load-out.

Services
A camera operator working the front of a stage during a live set

Capture

Content capture and post

©on site / in the feed

Photography and video on the day, cut for the platforms you actually publish on.

Services
Load-in at a loading dock at night, a stacked wall of flight cases and two crew with a cart

Social

Social media management

©on site / in the feed

The calendar, the posting, the replies. Approved before it goes out, every time.

Services
A lighting desk at front of house, an operator's hands on the faders, the room beyond dark

Paid

Paid social

©on site / in the feed

Meta campaigns built on your own footage, run against a goal you set.

Services

We produce the night and everything around it.

Services

Services

Event production and the programme around it.

001
A run-of-show clipboard and a headset resting on a road case lid

Production

Event production

Corporate and brand events, launches, openings, activations and conferences. Concept through load-out.

Included: run of show, site plan, venue sourcing, vendor management, permits and licensing, insurance coordination, staffing and crew, AV and staging direction, on-site production management, load-out report.

Not included: venue rental, catering, talent fees and third-party vendor costs. These are quoted at cost and contracted in your name, not marked up.

on site / in the feed

ProductionCaptureSocialPaid
002
A cinema camera in a cage on a tripod, pointed into darkness

Capture

Content capture and post

Photography and video on the day, cut for the platforms you actually publish on.

Included: pre-agreed shot list, on-site capture, colour and sound, vertical and square cuts, captions in English and Spanish, stills selection, transcript, and the original files.

Not included: music licensing beyond the library we hold, drone operation, and multi-camera live streaming. Each can be added and is quoted separately.

on site / in the feed

ProductionCaptureSocialPaid
003
A phone on a gimbal framing a stage, the stage soft behind it

Social

Social media management

The calendar, the posting, the replies. Approved before it goes out, every time.

Included: monthly content calendar, scheduling and publishing, community management and DM response inside stated hours, review monitoring, and a written monthly read.

Not included: paid media budget, influencer fees, and crisis or public-relations response. Posting outside stated hours is arranged in advance.

on site / in the feed

ProductionCaptureSocialPaid
004
An edit bench on a road case at the back of a venue

Paid

Paid social

Meta campaigns built on your own footage, run against a goal you set.

Included: account and pixel setup on accounts you own, audience structure, creative rotation from your own material, budget pacing, and monthly reporting with the recommendation attached.

Not included: the advertising budget itself, which you pay to the platform directly. We do not take a percentage of your spend.

on site / in the feed

ProductionCaptureSocialPaid

Not results. Commitments. Every one of these is in your statement of work before anything starts.

  • On site in Albuquerque, Santa Fe and Las Cruces. Remote across the United States.
  • Project fee for the build. Monthly retainer for the programme. Either, or both.
  • English and Spanish, written by people who speak both.
A stage tech in a headset at the wing of a stage, waiting for a cue
minutes30 minutes

The first call. Written scope or an honest referral.

hours48 hours

Selects, from load-out.

days10 days

Full cut and the first month of assets. Working days.

months12 months

The programme cadence, if you want it.

languages2 languages

English and Spanish, written by people.

what we do not do

/05

in writing

  • 01

    We do not take a percentage of your advertising spend.

  • 02

    We do not run an event we did not scope.

  • 03

    We do not publish anything you have not approved.

  • 04

    We do not mark up vendor invoices.

  • 05

    We do not show you someone else's results as if they were your forecast.

  • in writing

    Not results. Commitments. Every one of these is in your statement of work before anything starts.

why elevate

/04

structurally true today

Why Elevate

  • 01

    One brief, one accountable producer

    The room and the feed are the same engagement, briefed once and run by the same people. You are not translating between an event shop and a social agency, and neither one gets to blame the other.

  • 02

    You own the raw files

    Rights transfer is written into the statement of work before the shoot, not negotiated after it. You receive the originals, not only the exports. Most agencies leave this unsaid, and the default leaves the rights with the person holding the camera.

  • 03

    Turnaround is a number, not a mood

    Selects within 48 hours of load-out, full delivery within ten working days, written into your scope. Nobody else in this sector publishes a delivery window, which is exactly why we do.

  • 04

    Both languages, written by people

    Captions, copy and community replies in English and Spanish, written rather than machine translated. In New Mexico that is a service line, not an afterthought.

the honest part

About the work you cannot see here

Elevate is a new company. There is no client logo wall on this page, no case study, no testimonial and no performance figure, because we have not earned any of them yet and inventing them would be the fastest way to lose you. What is on this page instead is exactly how the work runs, what it includes, what it excludes, what it costs you in time, and what you own at the end. Ask for the first one and you will be the case study. The photography on this page is illustrative, made for this site rather than shot at a client event. It shows the kind of room we work in, not work we are claiming. The first real frames replace it.

A stage mid-show seen from the back of the room, the audience in silhouette

on site

Load-in to load-out. One producer on the headset.

Where we work

How you buy it

Two shapes. Take one, or both. No packages, no tiers, no percentage of your spend.

Project fee

The build

A single event, concept through load-out.

Quoted after the first call

Deposit holds the date

  • Run of show and site plan
  • Venue sourcing and vendor management
  • Permits, licensing and insurance coordination
  • Crew, AV and staging direction
  • On-site production management and load-out report

Monthly retainer

The programme

The content, social and paid side, running.

Quoted after the first call

Three-month minimum

  • Approved monthly content calendar
  • Capture, edit and captions in both languages
  • Community management inside stated hours
  • Meta campaigns on accounts you own
  • One written read every month

Neither includes venue rental, catering, talent, third-party vendor invoices or your advertising budget. Those are quoted at cost, contracted in your name, and never marked up.

An outdoor New Mexico venue at blue hour, a built stage and scaffold towers against the high desert

Where we work

On site across New Mexico. Remote across the United States.

Most agencies will not tell you what the first call covers, what the turnaround is, or what is outside the scope. Here it is, before you send anything.

01T-minus

The first call

Thirty minutes. We ask what the date is, who the room is for, what has to be true by the end of the night, and what budget band you are working in. You leave with a written scope or an honest referral. There is no deck.

02Build

Scope and build

A written statement of work: what is included, what is not, who supplies what, the dates, and the payment schedule. Nothing starts before both signatures, and a deposit holds the date.

03Doors

The day

We are on site from load-in to load-out. One producer on the headset running the show, capture working against the shot list you approved.

04T-plus

Turnaround

Selects within 48 hours of load-out. The full cut and the first month of assets within ten working days. If we are going to miss a date you hear it before the deadline, not after it.

05Cadence

The twelve months after

The calendar is approved before anything posts. Campaigns go live. One written read every month that says what worked, what did not, and what we would change next.

Questions

Most agencies will not tell you what the first call covers, what the turnaround is, or what is outside the scope. Here it is, before you send anything.

Both, and that is the point. Most agencies do one side and hand you a seam. You can also hire either side on its own, and plenty of clients start with one event before adding the programme.

Back of house

Load-in to load-out. One producer on the headset.

  • A crew member taping a cable run across a concrete floor

    Cable runs

    Everything taped before doors. The parts nobody photographs are the parts that fail.

  • An equipment truck's open roller door at night, the interior racked with cases

    The truck

    One inventory, one load list, one person who signs it back in.

  • A production office corner back of house, a folding table and a printed floor plan

    The production office

    A printed floor plan on the wall, because the wifi will go down.

Send the date, the room and the budget band you are working in. You get a written scope back, or an honest referral if we are the wrong shop.

Or write directly

info@elevatemktevents.com

Elevate Events & Marketing LLC, 1209 Mountain Road PL NE Ste R, Albuquerque, NM 87110, United States

Studio hours: Monday to Friday, 9:00 to 18:00 Mountain Time. On site, we work the show.

the honest part

Send the date, the room and the budget band you are working in. You get a written scope back, or an honest referral if we are the wrong shop.

on site / in the feed

  • Event production
  • Content capture
  • Social management
  • Paid social